I want to play Martin Luther King. I want to tell the real story, his demons, his struggles as a man, not just as a hero but fallible, I want to show that side.

What dancing has helped me with is blocking; it makes me comfortable with my body. You know how to hit your mark, you know how to embody a swagger. But sitting down and looking across the table at another actor and being able to go to battle on screen is nothing to do with singing or dancing.

I was struggling with drugs, I had a lot on my plate, and you know, I was using unhealthy ways to kind of self-medicate and deal with a lot of heavy duty stuff in my life.

I try to carve my own way so the actors who come after me will say, "I want to do it like Columbus did it."

The point of acting is to hide yourself and get lost in character. To play the same character in eighteen movies would be defeating the purpose I believe so I try to keep a little bit of diversity.

With films, you completely immerse yourself in a character, get into who they are, live it and then release it.

[Show] business is tough. You never know who or what's real. It's tough when you get in this business, if you have no grounded foundation other than Hollywood, because this business isn't real. We're getting paid to do what we love, but it isn't real.