I say no to a lot of things that just don't fit my life. I involve my kids in what I'm struggling with so they don't compete with it.

Often when you get a really good script, and you receive the new pages, you see that the entire thing has been dumbed down. Films in the '30s and '40s, that were huge blockbusters, were very sophisticated in their language, and the ideas they brought. There were no questions about whether the audience would get it or not.

I try to combine my work with my family, that's what I aspire to. I don't say that's the only thing. It's not all work and family, because otherwise you would be saying no to the many other things in life and there are many other things.

We have a certain warped sense of humor in Scandinavia, and that is what comes across in the choices in a lot of our movies.

I love cities that are on the water. I love the water element, specifically the sea. I grew up on the sea and I grew up sailing - I love sailing - and the presence of the sea gives the air and the light a very special quality that I absolutely adore.

You love your child and you want to protect your child more than anything on this planet, and yet by the time they're 17, 18, they're going to step into this world, and that world will not feel the same compunction, necessarily, toward your daughter.

As an artist you actually do have to make a choice to be an outsider. If you're an outsider you have the freedom to say what people on the inside don't dare to say.