I love cities that are on the water. I love the water element, specifically the sea. I grew up on the sea and I grew up sailing - I love sailing - and the presence of the sea gives the air and the light a very special quality that I absolutely adore.

If you asked somebody, 'what do you wish for in life?' they wouldn't say 'happiness.' I would have answered 'excitement, knowledge,' God knows - I mean, many, many different things, but certainly not 'happiness'. It seemed like a foreign concept to wish for something that specific and that singular.

We have a certain warped sense of humor in Scandinavia, and that is what comes across in the choices in a lot of our movies.

I've played lots of strong women in film, in big Hollywood films, and I've sometimes had a hard time in coming to a consensus of what makes a woman strong. What is it that positions her as a force to be reckoned with? And I think it's because there's an expectation from the get-go that she isn't. If you're not starting from a deficit as a point of view, but you're starting from an assumption that says, "Well, this is what women really are," then it's a really freeing experience as an actor and as a woman.

I don't think I can remember a moment in my life where people didn't discuss politics. People discuss politics at the table.

Often when you get a really good script, and you receive the new pages, you see that the entire thing has been dumbed down. Films in the '30s and '40s, that were huge blockbusters, were very sophisticated in their language, and the ideas they brought. There were no questions about whether the audience would get it or not.

I'm definitely more attracted to chaos than to order. The point is, I find the female roles out there very cliché. If we are limited to being only lovers or mothers, we are limiting ourselves.