I have a theory about Ireland, being at the edge of Europe. For 1,000 years, people didnt know what was beyond. But we thought about it - a lot. And that beyond became internalized in our psyche.

I just want the actors to put their faith in the language. Just let the words do the work.

I would love to make a 1830's period piece, a house in the country, a classic atmospheric haunted house movie, visually it would be so beautiful, the costumes, the candles, the darkness, and the quiet, no radio, to TV, the clock ticking away.

We know so little of the why, what the universe is, what infinity is. The veil around us is very fragile.

I guess Im attracted and repelled by isolation. It scares me. And its why I tend to write about older characters, too, because for them the stakes are somewhat higher.

Directing is such a crucial part of the writing process; you start directing and you see what does not work. "Oh, God, what was I thinking?" and then you can rearrange it.

I have a theory about Ireland, being at the edge of Europe. For 1,000 years, people didnt know what was beyond. But we thought about it - a lot. And that beyond became internalized in our psyche.