It's probably the last thing you think about when you're making a film is other people's problems. You're thinking about your problem, which is making the movie. But you do have a responsibility. You can't mess around with people's emotions.

Directing is such a crucial part of the writing process; you start directing and you see what does not work. "Oh, God, what was I thinking?" and then you can rearrange it.

I guess Im attracted and repelled by isolation. It scares me. And its why I tend to write about older characters, too, because for them the stakes are somewhat higher.

I just want the actors to put their faith in the language. Just let the words do the work.

We're all ordinary in a way. We can all be hurt. We can all be unbalanced. We all have feelings. Life can treat us harshly, even shockingly sometimes.

The play is a very simple idea really; someone needs some support and consolation, and she finds a place where she gets it.

When people are out of their comfort zone, it’s more dramatic, more prone to have more entertaining experiences, get into fights. That’s the dramatic instinct, to move people out of what they know and make them deal with it.