Manipulating shadows and tonality is like writing music or a poem.
I don't think of myself as a director or writer. I think of myself as a filmmaker.
There are a lot of directors who are knowledgeable about images, and others who aren't.
Cinematography is infinite in its possibilities... much more so than music or language.
In aptitude tests, I scored highest in music.
Every once in a while, when the audience is expecting to see one thing, you have to show them something else.