You must be so thoroughly immersed in the given circumstances of the play, then you decide what it is at any given moment what that the actor wants.

Remember this practical piece of advice: Never come into the theatre with mud on your feet. Leave your dust and dirt outside. Check your little worries, squabbles, petty difficulties with your outside clothing - all the things that ruin your life and draw your attention away from your art - at the door.

All action in theatre must have inner justification, be logical, coherent, and real.

Don't go so deep in yourself that you no longer exist for your partner and for the character and for the play.

Who am I? What will I be? Why am I here? Where am I going?

Our demands are simple, normal, and therefore they are difficult to satisfy. All we ask is that an actor on the stage live in accordance with natural laws.

The main factor in any form of creativeness is the life of a human spirit, that of the actor and his part, their joint feelings and subconscious creation.