Doubt is the enemy of creativeness.

In every physical action, unless it is purely mechanical, there is concealed some inner action, some feelings. This is how the two levels of life in a part are created, the inner and the outer. They are intertwined. A common purpose brings them together and reinforces the unbreakable bond.

Who am I? What will I be? Why am I here? Where am I going?

The person you are is a thousand times more interesting than the best actor you could ever hope to be.

The character has to have some kind of arch. The character has to go through an event, and be changed by the human event.

The life of a character should be an unbroken line of events and emotions, but a play only gives us a few moments on that line - we must create the rest to portray a convincing life.

Don't go so deep in yourself that you no longer exist for your partner and for the character and for the play.