In every physical action, unless it is purely mechanical, there is concealed some inner action, some feelings. This is how the two levels of life in a part are created, the inner and the outer. They are intertwined. A common purpose brings them together and reinforces the unbreakable bond.

All art is autobiographical - if it's not, it's not going to quicken on-stage, and it's not going to come alive.

The main factor in any form of creativeness is the life of a human spirit, that of the actor and his part, their joint feelings and subconscious creation.

A true priest is aware of the presence of the altar during every moment that he is conducting a service. It is exactly the same way that a true artist should react to the stage all the time he is in the theater. An actor who is incapable of this feeling will never be a true artist.

Never allow yourself externally to portray anything that you have not inwardly experienced and which is not even interesting to you.

Doubt is the enemy of creativeness.

All action in theatre must have inner justification, be logical, coherent, and real.