In the given circumstances you must be rooted in the play. Do not depart from the play. Don't cut yourself off from your partner in the scene, or partners.

It is only when an actor feels that his inner and outer life on the stage is flowing naturally and normally, in the circumstances that surround him, that the deeper sources of his subconscious gently open, and from them come feelings we cannot always analyse.

Love the art in yourself, not yourself in the art.

Who am I? What will I be? Why am I here? Where am I going?

In the language of an actor, to know is synonymous with to feel

All art is autobiographical - if it's not, it's not going to quicken on-stage, and it's not going to come alive.

Doubt is the enemy of creativeness.