Success is transient, evanescent. The real passion lies in the poignant acquisition of knowledge about all the shading and subtleties of the creative secrets.

Don't go so deep in yourself that you no longer exist for your partner and for the character and for the play.

In life we listen to other people. Listen with varying degrees of concentration and attention, right? Actors must learn to listen in a different way.

At times of great stress it is especially necessary to achieve a complete freeing of the muscles

It is through you, actors, that the forces which are understood by millions and that tell of everything that is beautiful on earth, find expression. The forces which reveal to people the happiness of living in a widened consciousness and in the joy of creative work for the whole world. You, the actors of a theatre, which is one of the centres of human culture, will never be understood by the people if you are unable to reflect the spiritual needs of your time, the now in which you are living.

The character has to have some kind of arch. The character has to go through an event, and be changed by the human event.

Gratuitous cruelty borders on the pathological, psychotic and that becomes uninteresting because there is no choice.