It's amazing and sad what we have to do to survive sometimes.

You can't see California without Marlon Brando's eyes.

When I'm working on a Slipknot song, it's like a switch flips in my head. I can go there easily - it doesn't take a lot of soul searching - and it's a dark, almost sinister place. Stone Sour is more the way I've always written. It's a different tone.

Take one more deep breath, savor it, and plunge forward without thinking. Do not allow yourself hesitation. Do not allow yourself a moment of doubt. Follow your instincts and go where you never would have considered possible.

You need response from the fan to fuel your sense of musical rebellion. It's very symbiotic, it's very cyclic in a way. You can't have one without the other. So I think the rebellion is reflected in the audience, but at the same time, the artist has to have that passion too. And I think once you're a fan for life, you feed each other's sense of passion and rage and whatnot. You really can't have one without the other.

When you're looking for a house, you're not looking for a house that's perfect. You're looking for that house to have character. And I think it's those little bits of humanity they come from the music. That's what the music brings out when you have that, it brings out the character of a song. You go back and listen to 30, 40 years of music, and all the great, great songs that we've had in our lives, they all have that character. They have that human nudge, they all have that human relation. You can relate to it.

Before tomorrow, make a list of your traits. Make YOUR list - who you are and why. Then ask yourself this question: where did it come from? Are you the way you are because it is what you want... or what they want? Are you a product of your imagination or someone else's? Think about it.