What is accurately portrayed is the rich humanity not just of Martin Luther King but of the movement, which was a multiracial movement. You had blacks and whites coming together and sacrificing, organizing and mobilizing the world. That's the first time we've had collective action put at the center of any kind of portrayal of Martin King on the screen.

I take my fundamental cue from John Coltrane that says there must be a priority of integrity, honesty, decency, and mastery of craft.

Context shapes who you are.

And so the question becomes, what you do in the meantime? And you go - if you're forever on the move, especially in the life of the mind; forever reading veraciously, writing, speaking, lecturing, trying to unsettle minds, trying to touch souls, trying to encourage and inspire, on the one hand, but also trying to unhouse and unnerve people, so that they have to reexamine themselves, society and the world on the others. There's tremendous joy in it.

So more and more black folk tend to be well-adjusted to [Barack] Obama's presidency, but does that mean they're well-adjusted to injustice? Because we don't hear our president talking about the new Jim Crow, the prison-industrial complex.

I think it's important not to view Martin Luther King Jr. in a narrow political manner. His fundamental commitment is to a radical love of humanity, and especially of poor and working people. And that radical love leads him to a radical analysis of power, domination and oppression. What's difficult is to situate him ideologically under a particular category.

This is what it is for Asians to be part of - support affirmative action, even though it may be against their interest, but they feel it's a matter of justice.