Well technologically and so forth, it's a breakthrough, and yet [Birth of a Nation,] it's very white supremacist to the core in terms of the narrative content.

For me, music is in no way ornamental or decorative, it's constitutive of who I am. And that's why, when I say I'm a blues man, that's a very serious vocation - to muster the courage to find your own unique voice, to forge your distinctive style in the world, to leave your imprint in the sands of time in such a way that your singularity, your individuality, remains something that people have to come to terms with.

You can't talk about truth without talking about learning how to die because it's precisely by learning how to die, examining yourself and transforming your old self into a better self, that you actually live more intensely and critically and abundantly.

I like to be multi-contextual, which is much more important than being multicultural.

Being a Christian is not a political orientation for the president, but he is a centrist.

What is accurately portrayed is the rich humanity not just of Martin Luther King but of the movement, which was a multiracial movement. You had blacks and whites coming together and sacrificing, organizing and mobilizing the world. That's the first time we've had collective action put at the center of any kind of portrayal of Martin King on the screen.

The rage is still there but I found the right kind of channel, because it's tied to a love, it's tied to a struggle for justice. And most importantly, for me, it's tied to a recognition that I am a cracked vessel.