Like Richard Ellmann on James Joyce, Arnold Rampersad on Ralph Ellison is in a class of its own. His masterful and magisterial book is the most powerful and profound treatment of Ellison's undeniable artistic genius, deep personal flaws, and controversial political evolution. And he reveals an Ellison unbeknownst to all of us. From now on, all serious scholarship on Ellison must begin with Rampersad's instant and inimitable classic in literary biography.

Affirmative action is something that I think is very crucial and necessary.

I wished the president [Barack Obama] were more "Martin Luther King-like."

What is accurately portrayed is the rich humanity not just of Martin Luther King but of the movement, which was a multiracial movement. You had blacks and whites coming together and sacrificing, organizing and mobilizing the world. That's the first time we've had collective action put at the center of any kind of portrayal of Martin King on the screen.

I love my gay brothers. I love my lesbian sisters. I love my transvestite, my gender-bending folk. For me, it's a matter of embracing their humanity, allowing them to choose in such a way that they are in the driver's seat regarding their lives.

Rage is fine as long as it doesn't deteriorate into bitterness.

King's response to our crisis can be put in one word: revolution. A revolution in our priorities, a reevaluation of our values, a reinvigoration of our public life and a fundamental transformation of our way of thinking and living that promotes a transfer of power from oligarchs and plutocrats to everyday people and ordinary citizens.