Like Richard Ellmann on James Joyce, Arnold Rampersad on Ralph Ellison is in a class of its own. His masterful and magisterial book is the most powerful and profound treatment of Ellison's undeniable artistic genius, deep personal flaws, and controversial political evolution. And he reveals an Ellison unbeknownst to all of us. From now on, all serious scholarship on Ellison must begin with Rampersad's instant and inimitable classic in literary biography.

If you've got on the one hand death, dogmatism, domination, and on the other you've got desire in the face of death, dialogue in the face of dogmatism, democracy in the face of domination, then philosophy itself becomes a critical disposition of wrestling with desire in the face of death, wrestling with dialogue in the face of dogmatism, and wrestling with democracy, trying to keep alive a very fragile democratic experiment.

I'm black, so, you know, I'm again with black folk, but it's a love that spills over to vanilla suburbs and red reservations and brown barrios and yellow slices.

Context shapes who you are.

It's so easy to begin to demonize someone you think is so far removed and as the demonization begins to expand, it ends up being everybody but your friends. After a while everybody else but you. That is a slippery slope that is so easy to slide down, and that's what is dangerous.

We're talking about a prison-industrial complex. We're talking about a war on drugs that's generating unprecedented levels of incarcerated folk. We're talking about dilapidated housing. We're talking about joblessness and underemployment.

We must never so thoroughly disrespect someone that they are beyond the pale and, therefore, have no possibility of being changed.