Please," she whispered as she opened the book, "please get me out of here just for an hour or so, please take me far, far away

So Mo began filling the silence with words. He lured them out of the pages as if they had only been waiting for his voice, words long and short, words sharp and soft, cooing, purring words. They danced through the room, painting stained glass pictures, tickling the skin. Even when Meggie nodded off she could still hear them, although Mo had closed the book long ago. Words that explained the world to her, its dark side and its light side, words that built a wall to keep out bad dreams. And not a single bad dream came over that wall for the rest of the night.

This world,' she said. 'Do you really like it?' What a question! Farid never asked himself such things. He was glad to be with Dustfinger again and didn't mind where that was. It's a cruel world, don't you think?' Meggie went on. 'Mo often told me I forget how cruel it is too easily.' With his burned fingers, Farid stroke her fair hair. It shone even in the dark. 'They're all cruel,' he said. 'The world I come from, the world you come from, and this one, too. Maybe the people don't see the cruelty in your world right away, it's better hidden, but it's there all the same.

Perhaps the story in the book is just the lid on a pan: It always stays the same, but underneath there's a whole world that goes on - developing and changing like our own world.

You know a great many things in dreams, often despite the evidence of your eyes. You just know them.

Who are you?' Mo looked at the White Women. Then he looked at Dustfinger's still face. Guess.' The bird ruffled up its golden feathers, and Mo saw that the mark on its breast was blood. You are Death.' Mo felt the word heavy on his tongue. Could any word be heavier?

Writing stories is a kind of magic, too.