Not everything you hear about yourself can be considered good publicity. And if you have delicate sensibilities, the currycomb of public imagination frequently rubs your vanities the wrong way.

Not everything you hear about yourself can be considered good publicity. And if you have delicate sensibilities, the currycomb of public imagination frequently rubs your vanities the wrong way.

There is something in the quality of the French mind to which I have always felt a reluctant kinship. They are the only people I know who can leap into an enormous vocabulary of words and beat them up with the wings of their spirit into a fine hysterical eloquence.

Mere words will not do. They must convey the color, charm, and pulse of life. They must have a private twinkle of wit in them that makes a good-natured noise like laughter through the keyhole of the reader's mind.

As I have grown older I am more and more convinced that I have not grown up, that my powers have not come to me, not my real wisdom to do and achieve the right thoughts. I lack some dear grace. I cannot seem to steady down and get the single eye. There is a curriculum in living in which I have not studied. This may be happiness. I want to know it; I should feel better prepared for immortality. I do not wish to arrive fagged at last and a bit slipshod in the spirit, as if I had a hard time all my mortal life. It is not complimentary to God.

Words are dangerous things.

I have long suspected that the power of speech is not a power at all, but a mere form of hysteria from which the living that really know the truth never suffer because they do not fear life or death as we do and can afford to be calm and silent. The frailest flower that blooms knows that it will rise from the dead in the next season's sun, breathe, feel again the dew and rain. Therefore these little ones make no such tragedy as we do of death.