My life in Greece influenced what I am. My father was in the left because he was against the king and his family, who had created a war against the Turks at the beginning of the last century to revive the Byzantine Empire. For three years, there was fighting, and all my father's friends died. So he hated the royal family.

I saw money becoming more and more important everywhere. It's one of the most abstract and important inventions by human beings. At the same time, money is capable of extraordinary corruption in every kind of relationship. I tried to see how and why, more and more, money is becoming a religion.

In the U.S. more than any other place, the banking system is insane. Millions of Americans lost their houses. Because of what? Because of the banking system. This American banking system is also coming to Europe. We can say today that the banks and high financiers run the world.

My life in Greece influenced what I am. My father was in the left because he was against the king and his family, who had created a war against the Turks at the beginning of the last century to revive the Byzantine Empire. For three years, there was fighting, and all my father's friends died. So he hated the royal family.

People say "the Americans" or "the United States," as if it was a kind of bloc. It's not. There's a lot of people thinking differently from other people in the U.S. This is very interesting to me and very important.

Especially now, the immigrant problem is very dramatic around the world. Because we don't know what to do with them. They're in economic crisis, and there are more and more. There will be more and more. We speak about globalization of economy, but it's also globalization for immigration. Millions of people, they're willing to have a better life. A better life, they cannot have it where they live, so they move.

[Akiro] Kurosawa, no doubt, was a big influence. Movies sometimes more than directors have influenced me: The Grapes of Wrath, by John Ford, was an extraordinary discovery. Sergei Eisenstein, of course. Later on, [Ingmar] Bergman.