You know every time you change a decade, it's a problem, because you approach the end little by little. But my decision is to keep going. The problem is always to know when the head doesn't work well. Someone has to tell you. I hope my children will tell me.

Essentially, filmmakers have to be free and not directed by power or politicians.

This crisis started probably due to the freedom they gave to the banks. First President [Ronald] Reagan and then President [Bill] Clinton. So, for [Barack] Obama it is extremely difficult to change now, to find a way to organize this banking system [differently].

I saw money becoming more and more important everywhere. It's one of the most abstract and important inventions by human beings. At the same time, money is capable of extraordinary corruption in every kind of relationship. I tried to see how and why, more and more, money is becoming a religion.

You know every time you change a decade, it's a problem, because you approach the end little by little. But my decision is to keep going. The problem is always to know when the head doesn't work well. Someone has to tell you. I hope my children will tell me.

Every time you have a crisis in a country you have an extreme wing coming up and proposing solutions. The way to fight them is by doing lots of work teaching people that every time these fascist systems gained power they ended up with big tragedies - lots of blood, lots of police, and lots of misery.

[Akiro] Kurosawa, no doubt, was a big influence. Movies sometimes more than directors have influenced me: The Grapes of Wrath, by John Ford, was an extraordinary discovery. Sergei Eisenstein, of course. Later on, [Ingmar] Bergman.