[Akiro] Kurosawa, no doubt, was a big influence. Movies sometimes more than directors have influenced me: The Grapes of Wrath, by John Ford, was an extraordinary discovery. Sergei Eisenstein, of course. Later on, [Ingmar] Bergman.

You know every time you change a decade, it's a problem, because you approach the end little by little. But my decision is to keep going. The problem is always to know when the head doesn't work well. Someone has to tell you. I hope my children will tell me.

In the U.S., some extraordinary movies have been made on politics and social issues. We learned lots of things from American cinema. But in the last ten or fifteen years, this has changed drastically. Today, that kind of movie is much easier to make in Europe.

Technology is an extension of our hands and our feet, not our spirit.

We don't live in Disneyland. We live in blood and in time, not in Fantasyland. We live in a tragic world.

Aggressive capitalism leads the world, and we can see the results, especially in Europe: more poverty for the vast majority, and more riches for a few.

The American influence is not so aggressive anymore. The American big business influence in Latin America is not as strong, so people can vote and they can have a different life than before. They can have more liberal, more interesting, and more democratic governments.