Technology is an extension of our hands and our feet, not our spirit.

I initially studied literature [in France], and then I went to cinema school. I discovered the Cinematheque, and saw not only action movies and westerns, but also lots of serious movies.

[Akiro] Kurosawa, no doubt, was a big influence. Movies sometimes more than directors have influenced me: The Grapes of Wrath, by John Ford, was an extraordinary discovery. Sergei Eisenstein, of course. Later on, [Ingmar] Bergman.

Essentially, filmmakers have to be free and not directed by power or politicians.

My life in Greece influenced what I am. My father was in the left because he was against the king and his family, who had created a war against the Turks at the beginning of the last century to revive the Byzantine Empire. For three years, there was fighting, and all my father's friends died. So he hated the royal family.

I'm trying to see if I can speak about our society today, but I cannot speak about the theme, because it's a bit difficult. I'm just starting to work on that. Because we live in a kind of world which has drastically changed in the last years. We speak about globalization, and how it's become the reason for everything. It has a kind of deep meaning. To be everywhere and to be nowhere at the same time. You think to globalize, you think, the Earth, it's your country. No, it's not your country. It's not easy to catch it in a cinema. It's too huge.

Every morning you have the economic news from all over the world, from television, radio, the Internet, and an hour later the news changes and the numbers change. People run fast from one place to another, which is very risky because they don't have enough time to think.