I'm trying to see if I can speak about our society today, but I cannot speak about the theme, because it's a bit difficult. I'm just starting to work on that. Because we live in a kind of world which has drastically changed in the last years. We speak about globalization, and how it's become the reason for everything. It has a kind of deep meaning. To be everywhere and to be nowhere at the same time. You think to globalize, you think, the Earth, it's your country. No, it's not your country. It's not easy to catch it in a cinema. It's too huge.

Many years ago making movies was something. It was the major entertainment just to go to the cinema, once, twice a week. At the time, something like 400 million people went to the movies.

We don't live in Disneyland. We live in blood and in time, not in Fantasyland. We live in a tragic world.

The assistants in France are not like they are in the States. Assistants are much more close to the film directors, and they used to have a kind of very artistic task. They used to do the casting, scouting, and so forth.

Make the movies you want to make in Europe is much easier. Of course, you don't have all the money you need, and if you go over budget, then you have to find the money, or you sell your house or something. But you have much more freedom.

[Akiro] Kurosawa, no doubt, was a big influence. Movies sometimes more than directors have influenced me: The Grapes of Wrath, by John Ford, was an extraordinary discovery. Sergei Eisenstein, of course. Later on, [Ingmar] Bergman.

The American influence is not so aggressive anymore. The American big business influence in Latin America is not as strong, so people can vote and they can have a different life than before. They can have more liberal, more interesting, and more democratic governments.