People say "the Americans" or "the United States," as if it was a kind of bloc. It's not. There's a lot of people thinking differently from other people in the U.S. This is very interesting to me and very important.

I decided to go to the cinema school because I thought it was a new sort of media. Nowadays, it's not anymore, but in the '50s, cinema had a half century of age. Today it's more than one century. I thought it was a new media, a new way of telling stories.

The assistants in France are not like they are in the States. Assistants are much more close to the film directors, and they used to have a kind of very artistic task. They used to do the casting, scouting, and so forth.

We saw what happens with Bolsheviks. It was another catastrophe. I don't have the solution. The moviemaker can ask questions but not give solutions.

Sometimes there are leftwing governments I'm very critical of. For me, being leftwing is to live in a society where there's permanent change. It also means to respect the freedom of everybody, and to not accept big organizations or rich, powerful people holding power.

We don't live in Disneyland. We live in blood and in time, not in Fantasyland. We live in a tragic world.

[Akiro] Kurosawa, no doubt, was a big influence. Movies sometimes more than directors have influenced me: The Grapes of Wrath, by John Ford, was an extraordinary discovery. Sergei Eisenstein, of course. Later on, [Ingmar] Bergman.