My style of lyric-writing is very specific and has a lot of details, and I think people react most to that.

I think, Trump ran a very nostalgic campaign. There's an idea of like, to put it bluntly: What if it was like before all our kids got strung out on drugs? You know, what if it was like that? Make America like that.

You are hearing this song, and you're 16, and it's a song about love, or a girl. And then maybe there's a girl at school that you like. So you're going to be thinking about that girl. That song is sort of about that girl. The songwriter doesn't know that girl, obviously. He wrote it for something else. But there's the specific meaning with the universal again.

As a writer, if you have something on a page, you can start moving it around and get something you like. But if you have a blank page, it's just gonna be a blank page.

I think the biggest thing - and this I think is true of songs but also of movies and books and art in general - is when you have this moment where you hear a song or whatever and you say, "Hey, I've felt that exact way as a human being," and there's no easy way to describe it.

I've tried to write songs for other people and it usually requires them singing it and then changing the phrasing. I can put a lot of words in a song, and one of the reasons is, I'm not that good of a singer, so I don't hold a lot of notes.

So maybe it’s just a part of who we all are, and always were. My worry now, though, is that we are starting to nurture these neuroses of ours, and treating them like pets. That can’t be a good thing.