I started working at Hanna-Barbera in '92 on 2 Stupid Dogs.

First, there was 2 Stupid Dogs. Then, Dexters Laboratory. And now, Powerpuff Girls. There were a lot of little things in between, but those were the main ones.

But to me what seems to be missing in a lot of portfolios is Cartooning.

It really just gives you a sense of when you need to have dialogue and when you don't, and if your pictures are telling the story, you don't need to have all this talking.

Well, for one thing, the executives in charge at Cartoon Network are cartoon fans. I mean, these are people who grew up loving animation and loving cartoons, and the only difference between them and me is they don't know how to draw.

Im always thinking about what I might want to do next, but theres still things I want to do with Powerpuff - so I can keep going with this one for awhile.

There's a lot you can do without words.