In the earliest cultures any tie between the dancers is slight. In a higher level the choral dancers almost always touch one another and thus force themselves into the same stride and the same movement. The closer the contact, the stronger is the social character of the choral.

The adult who puts his arm around his companion in the ballroom, and the child in the roadway, skipping in a round dance - they forget themselve, they dissolve the weight of earthly contact and the rigidity of daily existence. The soul slips into a twilight stage.

The dance is the mother of the arts, The dance breaks down the distinction of body & soul.

The dance in which the men form one row, the women another, and dance with and opposite each other in a form of love play, is widely diffused and may be confidentally assigned to a Protoneolithic culture level.

Whatever the nature of dance, it needs no onlooker, not even a single witness.

A person can be danced. In all continents the dancers carry little children on their shoulders.

Although the circle dance is known throughout the entire world, the front dance is limited to the cultures of which the rectangular hut is a part.