The fact is that in this day and age I don't think any novelist can assume that a book will get attention.

..and I thought how liking a boy was just the same as believing you wanted to know a secret - everything was better when you were denied and could feel tormented by curiousity or loneliness. But the moment of something happening was treacherous. It was just so tiring to have to worry about whether your face was peeling, or to have to laugh at stories that weren’t funny.

If a man wants to be romantically involved with you, he tries to kiss you. That's the entire story, and if he doesn't kiss you, there is never a reason to wait around for him.

I guess because twins have this mystique, and triplets - I think the normal sibling connection potentially can be very powerful, and there's this idea that it's even more powerful. It really is, not just someone like me, but another version of me.

Being raised in an unstable household makes you understand that the world doesn't exist to accommodate you, which... is something a lot of people struggle to understand well into their adulthood. It makes you realize how quickly a situation can shift, how danger really is everywhere. But crises when the occur, do not catch you off guard; you have never believed you lived under a shelter of some essential benevolence. And an unstable childhood makes you appreciate calmness and not crave excitement.

I don't know what it is about human beings but most of us really like reading about or observing sexual tension and romance. It's just so much fun. I don't know if there is some Darwinian thing in us that really responds to that, but I think the most memorable scenes to me in books and movies are the ones where a couple is about to kiss.

When I was writing my first two books I was also freelancing and teaching and doing other odd jobs.