When you're on a lower-budget film, with one guy who maybe has a camera strapped to him, you're a much bigger part of that pie. You can be a sliver in a big Hollywood movie, but you can be a quarter of that indie movie pie. And I feel like, first of all, there is a real freedom that you feel from that, because it's like, you know what, if this is terrible, nobody's gonna ever see it, so I can be more brave.

I think [nancy Reagan] was a very controlled and controlling person, because she was so scared all the time and because she had such an inner sense of panic.

I go for my completely routine mammogram and then I get a call from my gynecologist. And she says, 'Well, I have some - it's not such great news, but here it is, but it's very small and we're just going to get in there and take it right out, right away, and then you'll probably have radiation.'

I'd do a show about garbagemen if it was good!

I just want my relationship to be more for myself rather than a public statement.

I do tend to be an analyzer. I'm an old English major from way back, so I do have fun tearing apart texts and trying to find the hidden secrets and the subtexts in there.

It was weird to be in a movie that's very clearly a period piece like Killing Reagan, but that's about a time that's within my own memory. That's really weird. And conscious memory, not just vague.