I have a cousin, a second cousin, who lives in L.A., and she was with me while I was getting ready. She was talking about her father and his brothers. And I remember my mother's tales of how competitive they were with each other and how they would play for blood, you know. And I thought - I'm an only child, and I don't know what that's like. I have to figure out the Southern thing.

I think it was interesting to be steeped in that [political] world.

Eleanor Roosevelt was painfully shy, painfully shy. So she overcompensated. In the same way that Nancy Reagan felt unattractive and unlovable and so everything had to be - hair had to be perfect, and the makeup and the clothes. Because she thought, "They don't think I'm pretty."

Abortion is a hard thing for Hollywood to deal with because it is so controversial and you don't want to alienate half your audience by sending one message or the other.

When you're on a lower-budget film, with one guy who maybe has a camera strapped to him, you're a much bigger part of that pie. You can be a sliver in a big Hollywood movie, but you can be a quarter of that indie movie pie. And I feel like, first of all, there is a real freedom that you feel from that, because it's like, you know what, if this is terrible, nobody's gonna ever see it, so I can be more brave.

What was really great with Eleanor Roosevelt - I mean, of course, we all have this stereotypical, really satirical almost, version of how she speaks. What was really interesting to me was I found various radio and TV appearances of hers, but there was one talk show that I saw her on; she was the only woman, it was all men. They were talking about policy - I think it was after she was First Lady. I think it was more in the U.N. days.

My mother worked on a whole bunch of those; she worked on What's My Line?, I've Got A Secret, Play Your Hunch... In my memory, she worked on To Tell The Truth. So it was her job to brief the imposters.