Some friends of mine who are actors feel directing shuts them down and kills all their impulses, but the worst thing for me is if I feel a director hasn't noticed.

I think what Laura Linney was saying about teaching her all the lessons as a child actor, right, that's a whole ball of wax. That's a really mixed bag of stuff. I look at so many people that I knew personally or didn't know personally but who have ended badly, have died young, have been destitute - there are a lot of bad child-actor-gone-wrong stories, a very high percentage, but I think the thing about it is that a lot of those are Hollywood stories, and you don't have that same kind of a thing in the theater.

Some friends of mine who are actors feel directing shuts them down and kills all their impulses, but the worst thing for me is if I feel a director hasn't noticed.

When you're on a lower-budget film, with one guy who maybe has a camera strapped to him, you're a much bigger part of that pie. You can be a sliver in a big Hollywood movie, but you can be a quarter of that indie movie pie. And I feel like, first of all, there is a real freedom that you feel from that, because it's like, you know what, if this is terrible, nobody's gonna ever see it, so I can be more brave.

When Nancy Reagan was presented with people who she really felt like weren't going to judge her, there was such a floodgate of affection and warmth and physical affection that, most of the time, was kept at bay because, "Oh, someone's going to say something." I think that because of so many things that happened to her in her childhood, but also in the press.

When women got the vote, they did not redefine voting. When African-Americans got the right to sit at a lunch counter alongside white people, they did not redefine eating out. They were simply invited to the table. That is all we want to do; we have no desire to change marriage. We want to be entitled to not only the same privileges but the same responsibilities as straight people.

[My mother] worked in the Seagram's Building; it's kind of an iconic '60s skyscraper on a floor so high that your ears popped. And all the women - the whole thing was so very Mad Men, very glamorous.