When Nancy Reagan was presented with people who she really felt like weren't going to judge her, there was such a floodgate of affection and warmth and physical affection that, most of the time, was kept at bay because, "Oh, someone's going to say something." I think that because of so many things that happened to her in her childhood, but also in the press.

You just want to love Tim Matheson and just cuddle him. He's really - and he's gorgeous. He has much in common with [Ronald Reagan] Reagan's outward persona.

The idea of making access to safe abortions harder and more expensive and more difficult, having to travel across state lines - that puts women's health and lives in jeopardy, which is something I think no one wants.

I also grew to love Nancy Reagan in a certain way. I learned more - certainly I learned more bad stuff that I had known about in greater detail, but I also got a lot of empathy.

Some friends of mine who are actors feel directing shuts them down and kills all their impulses, but the worst thing for me is if I feel a director hasn't noticed.

I did an after-school special as my first big thing. It was starring Butterfly McQueen. She was the name. But the real star of it was Robbie Rist, who was that little blond kid who looked like John Denver.

I understood more what Nancy Reagan and Ronald Reagan, what they were coming from. Kind of the horrors of their childhoods that they were coming from. When you experience such pain early on, some people really interface with that pain and try and unpack it, and some people just take it and squelch it down and try and be as successful as they can. And, you know, encourage everybody, "Don't dwell on the negative! Come on, buck up!"