A couple of hanging glands have nothing to do with making someone a man.

I understood more what Nancy Reagan and Ronald Reagan, what they were coming from. Kind of the horrors of their childhoods that they were coming from. When you experience such pain early on, some people really interface with that pain and try and unpack it, and some people just take it and squelch it down and try and be as successful as they can. And, you know, encourage everybody, "Don't dwell on the negative! Come on, buck up!"

It just feels to me like the death throes of an America that had many great things about it, but had many negative things about it. I don't want to go back.

It was weird to be in a movie that's very clearly a period piece like Killing Reagan, but that's about a time that's within my own memory. That's really weird. And conscious memory, not just vague.

When you're on a lower-budget film, with one guy who maybe has a camera strapped to him, you're a much bigger part of that pie. You can be a sliver in a big Hollywood movie, but you can be a quarter of that indie movie pie. And I feel like, first of all, there is a real freedom that you feel from that, because it's like, you know what, if this is terrible, nobody's gonna ever see it, so I can be more brave.

In terms of sexual orientation I don't really feel I've changed ... I'd been with men all my life, and I'd never fallen in love with a woman. But when I did, it didn't seem so strange. I'm just a woman in love with another woman.

I don't even want to go back to '81.