An aesthetic movement with a revolutionary dynamism and no popular appeal should proceed quite otherwise than by public scandal, publicity stunt, noisy expulsion and excommunication.

Like water, we are truest to our nature in repose.

A writer is in danger of allowing his talent to dull who lets more than a year go past without finding himself in his rightful place of composition, the small single unluxurious retreat of the twentieth century, the hotel bedroom.

If Montaigne is a man in the prime of life sitting in his study on a warm morning and putting down the sum of his experience in his rich, sinewy prose, then Pascal is that same man lying awake in the small hours of the night when death seems very close and every thought is heightened by the apprehension that it may be his last.

The only happy talkers are dandies who extract pleasure from the very perishability of their material and who would not be able to tolerate the isolation of all other forms of composition; for most good talkers, when they have run down, are miserable; they know that they have betrayed themselves, that they have taken material which should have a life of its own, to dispense it in noises upon the air.

When I write after dark the shades of evening scatter their purple through my prose.

There is no suicide for which all society is not responsible.