I don't know what scared me about Marvin Gaye. I just know that he was scary, and that all of his... his aura was frightening to me. I can't explain why.

I haven't had the time to do a lot of writing. But nothing's really changed about me. It's just my day-to-day activities have changed, and as a person, I have to adapt to those changes.

In Europe they're more calm, more reserved. Here, in the States, people are more wild, a little more open. I guess it takes a lot to impress those people up there in Europe. Especially in London.

I don't know what scared me about Marvin Gaye. I just know that he was scary, and that all of his... his aura was frightening to me. I can't explain why.

I'm making black music. That's the only outline for me, really. That's the only boundary to stay with. It's soul music. I'm going all out in those terms.

It's not too hard to play Fender Rhodes keyboard if you get the right one, with some good action on the keys. If you got an old one that ain't been touched up, it could be kind of difficult to get real loose on it.

The show is coming from the music. I get on the stage with the band, and I communicate with my musicians, and the music that we create and all that is coming out of us. The music is making the show and the music is creating the atmosphere, so if you close your eyes and listen and feel what it is that's coming out of the speakers, that's the whole point.