She is my first, great love. She was a wonderful, rare woman - you do not know; as strong, and steadfast, and generous as the sun. She could be as swift as a white whiplash, and as kind and gentle as warm rain, and as steadfast as the irreducible earth beneath us.

The horse, the horse! The symbol of surging potency and power of movement, of action.

Only the desert has a fascination--to ride alone--in the sun in the forever unpossessed country--away from man. That is a great temptation.

I love Italian opera - it's so reckless. Damn Wagner, and his bellowings at Fate and death. Damn Debussy, and his averted face. I like the Italians who run all on impulse, and don't care about their immortal souls, and don't worry about the ultimate.

The near end of the street was rather dark and had mostly vegetable shops. Abundance of vegetables - piles of white and green fennel, like celery, and great sheaves of young, purplish, sea-dust-coloured artichokes . . . long strings of dried figs, mountains of big oranges, scarlet large peppers, a large slice of pumpkin, a great mass of colours and vegetable freshness. . . .

Aren't I enough for you?' she asked. 'No,' he said. 'You are enough for me, as far as a woman is concerned. You are all women to me. But I wanted a man friend, as eternal as you and I are eternal.' (Women in Love)

The dead don't die. They look on and help.