A lot of things get made this way: someone imagines what they want to make, then very carefully plans every step of the process, then sets about making it. That's usually the efficient, reasonable way to get something done, but it limits you to ideas you can think of in advance.

I will say that the lead cosmonaut trainer - I mean, we were working with professional cosmonaut trainers outside of Moscow. And the lead one, at the end of the project, announced to the entire group that he wanted Trish [Sie] to be on his team forevermore.

I can have fairly crippling self-criticism. It doesn't really put me in a vulnerable state, I just get glum and intolerable, but it certainly is a vulnerability.

I like shooting things in single takes. You have to rely on the idea itself to carry the full weight; you're always watching the idea, not the filmmaking.

Actually, here is something I'm passionate about that, looking around me, seems like the world at large must not care about as much as I do: craft.

If some dude I'd never heard of managed to broadcast a platitude like that to the whole globe, I'd probably just feel like I was being spammed.

What we did is we went on those parabolic flights, which people like to call the vomit comet. Basically, the plane throws you up into the air and catches you. And for about 30 seconds, you feel like there's no gravity. So what we did was we did a series of eight of those in a row. And every time we landed, we stayed perfectly still for the five minutes in between while the plane is setting up so that we could just continue the routine where we had left off. So the final video you see is all one take. And we seem to be weightless the entire time.