The landscape is one of the kinds that I think, at least this body of work is the least selfish of the stuff that I've done. It's all selfish. It is making images of things that I want to see, that turn me on, that make me happy, that satisfy me.

The advent of the digital age and the immediacy and convenience of digital video and photography allows people to become an integral part of the feedback loop which actively shapes the content we are fed.

Now that I'm a father of three kids, suddenly the whole world seems different. I don't want to take anything for granted. If you gaze on something and you appreciate it, you become a part of that circle. That seemed to me to be the only relevance I could understand. The space, the time and the vastness of it all was overwhelming. I needed to understand it or I just was lost.

Fondness for people can be terrifying, because it's intangible and it can disappear, or it can be taken away, or you can say the wrong thing. A million things, so it's so uncomfortable. So when you suddenly become aware of it because they don't call you or something for half an hour or whatever, you lose it.

We discard the personal specifics which don't conform to the ideal conventional beauty created by art directors and cinematographers.

Star Wars came out when I was seven. It was so different from anything else, like peeking into the land of Oz. All you wanted to do was see it again and go back and see more of it. That feeling is not easy to reproduce. Eventually, you give up and try to recreate that feeling yourself.

I wanted to finally feel better about understanding. I painted my wife because I wanted to understand her. I can talk to her, but I didn't understand why I was so compelled.