The landscape is one of the kinds that I think, at least this body of work is the least selfish of the stuff that I've done. It's all selfish. It is making images of things that I want to see, that turn me on, that make me happy, that satisfy me.

I try to write art theory down and understand it but I'm not a writer. I don't want to impress people with my writing. I'd rather impress people with my ability to see and feel it and then share that.

Every time I have people over, I watch how long they look at every part of the painting, or pictures on my computer. I have a few close friends and people that are constants. Whether I like their opinion or not, I've been hearing it for a long time and I can use it as this constant. I mentally pay attention to how long they look at every image, which ones they pause on and what parts of it they look at.

The landscape is one of the kinds that I think, at least this body of work is the least selfish of the stuff that I've done. It's all selfish. It is making images of things that I want to see, that turn me on, that make me happy, that satisfy me.

I'm interested in visual vocabulary, like Andy Warhol was interested in that vocabulary of advertisements and television and pop culture. I do a great deal of tropes. This past decade has seen a new term, "meme," which is exactly what I'm studying.

Every show I've done, I've just wanted to understand something of this weird life that I woke up in. I've never woken up in anyone else's life, so I've got to understand this one. The only skill I was given is this painting.

I always thought being an artist was a lazy job. I was wrong.