All I want to do is realism and follow the tradition of realism. And explore what realism should be now be after the ubiquity of smartphones. I'm trying to answer the question. I don't think I'll ever have the words, but hopefully I'll have a few images.

Photorealism says: to fool your eye. That isn't what I've been interested in doing.

I've always wished that I had a great ability to verbalize art theory and find a way that I fit in to the whole lineage, but I don't have a clue.

Fondness for people can be terrifying, because it's intangible and it can disappear, or it can be taken away, or you can say the wrong thing. A million things, so it's so uncomfortable. So when you suddenly become aware of it because they don't call you or something for half an hour or whatever, you lose it.

Each painting, I feel like I kind of might have gotten something. If I feel like I totally got it, there's probably something wrong and it's not finished. And if I really feel like I understand it then I'm done with these paintings and I'll have to do something else.

I love seeing things that work in the micro and work in the macro.

The landscape is one of the kinds that I think, at least this body of work is the least selfish of the stuff that I've done. It's all selfish. It is making images of things that I want to see, that turn me on, that make me happy, that satisfy me.