Every show I've done, I've just wanted to understand something of this weird life that I woke up in. I've never woken up in anyone else's life, so I've got to understand this one. The only skill I was given is this painting.

It's been so much a part of my life the thinking that I go through is crucial. I found that if I don't paint for around a week, I get practically suicidal. It took a long time to figure out why I had these mood swings, and I finally figured out it's because I haven't painted.

I dont think I talk to anybody the same way I talk to Moby.

Photorealism was this fantastic movement in like the late '60s and '70s, because photography finally became something that everyone could produce. Photorealism was and should've been a very short element. But the thing is, photography is so satisfying. Certainly when it's well done.

The landscape is one of the kinds that I think, at least this body of work is the least selfish of the stuff that I've done. It's all selfish. It is making images of things that I want to see, that turn me on, that make me happy, that satisfy me.

Each painting, I feel like I kind of might have gotten something. If I feel like I totally got it, there's probably something wrong and it's not finished. And if I really feel like I understand it then I'm done with these paintings and I'll have to do something else.

I wanted to finally feel better about understanding. I painted my wife because I wanted to understand her. I can talk to her, but I didn't understand why I was so compelled.