The fun thing about doing origin stories is you are introducing the audience to characters.

I make no distinction between writing and storytelling; I've always wanted to tell stories.

When you're a writer and you're a producer, traditionally the junkets are really focused on the beautiful people and nobody wants to talk to you.

At some point, you can't take a risk just to take a risk because that's a betrayal, in and of itself.

You can't just come out and do the same moves that you always do because someone just basically came into the center of the ring and spun around on their head and did a back flip.

I'm not glass-half-full, glass-half-empty; I'm like, "There's a glass?"

There is no suspense in inevitability.