Suffice it to say, there are some very big ideas in Prometheus and, therefore, it covers a very vast expanse of time.

I make no distinction between writing and storytelling; I've always wanted to tell stories.

You can't just come out and do the same moves that you always do because someone just basically came into the center of the ring and spun around on their head and did a back flip.

But I do think that, when you slow the conveyor belt down, the quality control tends to go up. You have a lot more time between seasons to talk about what worked and what didn't work, and plan for the future. And the pacing of the storytelling, particularly for on-going serialized dramas, means that you don't need to do non-essential episodes, just because you have to fill this pre-existing schedule.

Finding meaning in the relationships that we have with one another - that's the only way to achieve any kind of fundamental true grace and that points to where it all ends up. It's let's stop being away some place, let's be here. It's, let's be in this.

I'm a huge Star Trek fan. I've seen all the shows, I've seen all the movies, but ultimately I just want a 2-hour movie that takes me to another time and place - something that entertains me.

I've always been really interested in the future, and I feel like all of the movies that I've been exposed to, over the course of the last 20 to 30 years, have shown me a future that I don't really want to be living in.