I believe that at the moment of death, that the soul is released in a molecular form, that actually goes into the - the fabric of the universe, the structure of hydrogen and nitrogen and oxygen because we're electrically - we're galvanic, we're electrochemical.

I live in a high rise with my family part of the year in New York and I don't know three quarters of the people in the building. We live in the same square-footage and I wouldn't know who they were.

I love to come in and play with a wig or glasses or clothes. I love using props. I'm from the Peter Sellers school of trying to prepare for the character.

Folks have to pin me down because, for one thing, I don't have a laptop. I don't have an iPhone, and I refuse to carry them because they're immensely hackable.

You look at the floor and see the floor. I look at the floor and see molecules.

My parents never had any money. It was cash flow. It flows, and you got your fingers in it for a little while, and it flows away. That's all I know about money. And I don't know, it flows and it's a river, but you can never, ever keep it. As an artist, I can't keep it. But hey, a man who dies with a cent in the bank is a foolish man. So I guess I'm going against the conservators. I'm a spendthrift.

Can't get around the old minimum wage, Mortimer.