I still think about the writers I loved when I was a kid.

I usually have more than one thing I'm working on at once -- I've been working on three different novels. When I get stuck on one, I hop back and forth. It's sort of freeing: I can say I'm abandoning this thing that I hate forever and I'm moving on to something that's good. I'll find that I'll go back to [the other project] in a day or a week and like it again. But that moment of wanting to trash something -- that Virginia Woolf moment when you have to be stopped from filling your pocket with stones -- comes pretty regularly for me. Switching is probably a good thing.

I've always been a horror movie fan, since I was a kid. And I was also a really scared kid. I was easily scared of the dark. One of the ways I would try and get away from my fear of the dark was to pretend like the monsters were my friends.

That's how I work, whether with stories or novels - they start with an image that comes to me in a daydream, and a lot of times I'm walking around with these pictures in my head for awhile before I start writing.

The kind of person I find myself interested in is a cross between being very emotionally complex and very immature. That's what I felt I was like when I was younger.

One of the things I rarely do is write about sex.

In some ways all of my fiction is like a conversation I'm having with the writers I read when I was first falling in love with books.