Live performances make music important. Recording is cool and fun, and it's nice to document the thing you made, but the goal in my mind is to perform.

Email is a mind-killer. Like, I really think getting a smartphone is the worst move I ever did in being a musician because while we've just been talking my phone's vibrated like 15 times and I only get push notifications for like two apps, so either like a bunch of houses are going up for sale right now or someone's like, "Why aren't you emailing me back?" It's just hard to stay in the moment. I can understand why people go to retreats to write and stuff like that but I don't have the time.

I think the best live shows take you out of the moment into somewhere else and I really...This can be true of recorded music too but my favorite live experience is sort of this transcendendent - is that the word? Transcendental?

Live performances make music important. Recording is cool and fun, and it's nice to document the thing you made, but the goal in my mind is to perform.

Obviously, selling out is an issue but it's almost like an uncanny valley where you can be pretty unpopular for a while but you'll have die-hard fans that love you. Then as you get more popular, it'll be great and people will be excited for you and then you get to this middle-level popularity and people are like, "Oh, you're not famous but you're also not - we know who you are." You're just this like hideous disfigured music.

I thought I wouldn't enjoy the business side of music, but it's fun because it is completely - like running a DIY venue was the same exact thing but just on a smaller scale and a DIY tour is the same thing. You're just running a small business. Like we live within the paradigm of capitalism. Even if I'm going in playing these anarcho spaces, I still have to buy gas.

I really do like seeing other people perform my music. It's one of the most rewarding things for me, so it's worth the extra work.