The smaller the instrument or more hidden it is such as electronics, the more esoteric it becomes and in my mind becomes boring watching someone go like this and that has no direct... It's just a complete abstract motion, not attach to any sound.

The main thing I want to do is make people feel more connected and more active.

The smaller the instrument or more hidden it is such as electronics, the more esoteric it becomes and in my mind becomes boring watching someone go like this and that has no direct... It's just a complete abstract motion, not attach to any sound.

You can have a table full of gourmet food, but the minute you put a box of Entenmann's doughnuts out, that's all people are gonna talk about.

It's hard not to sell out because once, you know, I grew up with working-class parents who definitely, definitely would be disappointed if I didn't take particular jobs being like, "What are you talking about? I would have worked years for that money in like, actual physical labor." So there's a privilege to not selling out. You already have to be in a position where you can look at that money and not care about it.

I always want my mouth to be like two steps ahead of my brain and I want my hands to move without thinking. I want to be able to dive into my computer or use my controllers without having to be, like, "Hmm, what would be a good choice here?" You just want music to happen like the same way the sweat's rolling off my face.

I really do like seeing other people perform my music. It's one of the most rewarding things for me, so it's worth the extra work.