I was an English major in university and that got me into novels, but I read a lot of books as a kid.

The most rewarding possible thing that a songwriter or an artist of any kind can experience is to hear firsthand from the mouth of somebody else that they don't know the weight or gravity or intensity that something they've made has brought out in somebody else's life. It's simultaneously flattering and humbling. It makes me so thankful that I've been so lucky to be able to do this work.

You can't just look at the side of something that you want to see. You have to look at the whole round object and understand that there are parts of it that you don't like.

I had a rule that I would never force the muse in my younger days. I would follow the feeling. I would just put the pen down and walk away, and wait for it to come back. But these days, I have a kid, I tour a lot, and I'm always short on time.

If you use language that divides people and makes people who agree with you really stoked and people who disagree with you disengaged then you're preaching to a choir, and you've lost any kind of relativity across the spectrum. So it's important to be subtle and understand that there's a lot more you can learn.

I think articulating things through song is a good way of letting people know that they're not alone.

It's not supposed to make you distracted from your life, it's supposed to make you challenge the ongoing distraction with focused intention. Simply discussing how asleep we can be gives credence to the possibility of finding moments of true honest alertness.