I was an English major in university and that got me into novels, but I read a lot of books as a kid.

If you use language that divides people and makes people who agree with you really stoked and people who disagree with you disengaged then you're preaching to a choir, and you've lost any kind of relativity across the spectrum. So it's important to be subtle and understand that there's a lot more you can learn.

The most rewarding possible thing that a songwriter or an artist of any kind can experience is to hear firsthand from the mouth of somebody else that they don't know the weight or gravity or intensity that something they've made has brought out in somebody else's life. It's simultaneously flattering and humbling. It makes me so thankful that I've been so lucky to be able to do this work.

When you ask my three year old if my iPhone is too complicated, it's not. It's all relative.

With all of the people in the world and all of the suffering and all of the things that people are forced to do for lack of other alternative, the fact that I had a subsidized education and got to go right into a life of playing music for a living, what a stupidly fortunate place to be.

What frustrated us about the song [Robots] was not that it existed - we owe a lot to that song and have had a ton of fun playing it. The problem was that it was a "given".It was like everyone was waiting for it to happen, and then it better be as crazy as the time they saw it before. Started to feel like dancing monkeys.

And sometimes you just have to trust that there will be more, sometimes you go through dry spells and you have to assure yourself "no no, it's gonna be fine. There's gonna be more songs, it's all good.