I grew up with a rotary phone in my house and that seems a world away, but that's what I was used to as a kid. So now things seem complicated to me, but to kids born right now, they don't feel complicated.

When you put a halo on concepts - gender roles, religion, nationality or pride - or you put a halo on any topic - anything that you hold dear like the relationship between a father and son or a mother and daughter, what it means to be married or what it means to be single or what it means to be a free spirit or what it means to be an artist - if you just put a halo on something and say it's untouchable - "that is special and that is perfect" - you immediately close your eyes to the truth of it, because the truth is that nothing is perfect.

I had a rule that I would never force the muse in my younger days. I would follow the feeling. I would just put the pen down and walk away, and wait for it to come back. But these days, I have a kid, I tour a lot, and I'm always short on time.

There's going to be ups and downs and that you have to be okay with the downs too and embrace them just as much because they will teach you something.

You feel the weight of the world and you take things in and you are acting out from a place of being pushed and visceral. It's heavy. You can't be there all of the time.

You can't just look at the side of something that you want to see. You have to look at the whole round object and understand that there are parts of it that you don't like.

The most rewarding possible thing that a songwriter or an artist of any kind can experience is to hear firsthand from the mouth of somebody else that they don't know the weight or gravity or intensity that something they've made has brought out in somebody else's life. It's simultaneously flattering and humbling. It makes me so thankful that I've been so lucky to be able to do this work.