There’s a great expression in Twelve Step programs: Act as if. Act as if you’re a writer. Sit down and begin. Act as if you might just create something beautiful, and by beautiful I mean something authentic and universal. Don’t wait for anybody to tell you it’s okay. Take that shimmer and show us our humanity. That’s your job.

A writer with her work needs to be like a dog with a bone all the time. She needs to know where she's hidden it. Where she's stored the good stuff. She needs to keep gnawing at it, even after all the meat seems to be gone. When a student of mine says (okay, whines) that she's impatient, or tired, or the worst: isn't it good enough? this may be harsh, but she loses just a little bit of my respect. Because there is no room for impatience, or exhaustion, or self-satisfaction, or laziness. All of these really mean, simply, that the inner censor has won the day.

Let me tell you something about hypochondria: It's a pernicious, undermining little demon. It won't kill you, but it will sap the color from your life so that in the loveliest moments, the moments of grace, you are hit with that whisper in your ear that takes it all away. I'm sick, I'm dying - I just don't know it yet.

It is in the thousands of days of trying, failing, sitting, thinking, resisting, dreaming, raveling, unraveling that we are at our most engaged, alert, and alive.

If we grew up with nothing, we're complicated with that. That's the thing I keep hearing from people.

If you are a writer or any kind of artist, if you change something as fundamental as where you live - the way you live - then I think you change the very instrument that is trying to make the art

I used to act in television commercials when I was a kid and a young adult.