Generally, I find that when you're writing and having fun with the writing, that energy and dynamism is going to come out in the text one way or another.
Daniel AlarconI write 1,000 words a day first thing in the morning but I cannot write 240 characters to describe a piece that I spent six weeks working on with a producer.
Daniel AlarconWhat I'm most interested in is not necessarily the wound, but the scar. Not how someone is wounded, but what the scar does later.
Daniel AlarconThere are stories that are by and for Latin Americans, where a certain amount of cultural fluency is expected, where we can delight in the details, the humor, the particularities of speech, of dialects. Something is always lost in translation; we know instinctively that this is the case. A Radio Ambulante story looks at Latin America from the inside.
Daniel AlarconI want people to read good work. If I see someone reading a book by Lorrie Moore or Jennifer Egan, I'm psyched. If I see them reading X Latin American Writer Who Sucks, I'm not psyched. But in terms of news, I do think that's important.
Daniel AlarconA lot of attention has been paid in Latin America to the new generation of nonfiction writers, authors like Julio Villanueva Chang, Diego Osorno, Cristรณbal Peรฑa, Gabriela Wiener, Leila Guerriero, Cristian Alarcรณn, among others. These are writers doing important, groundbreaking work. So the talent is there, as is the habit of radio listenership, and what we propose to do is unite the two. We want to have these immensely gifted journalists - men and women who've already revitalized the long-form narrative - we want them to tell their stories in sound.
Daniel Alarcon