The trouble is the kind of guy I want to go out with doesn't even exist... Like a rugged, chain-smoking, intellectual, adventurer guy who's really serious, but also really funny and mean.

I love the medium and I love individual comics, but the business is nothing I would be proud of.

I think if you had different artists approaching the material in different styles, that's very different. I think it's an interesting thing to discover, what's present in the work even when you're shifting the styles. I've just found it a much stronger way to work.

I'm always looking for things I imagine must exist, but don't - this is usually the impetus to create that thing myself.

Everybody just lets the media do their thinking for them... that's why you'll never hear any reggae on the radio!

I have this certain vision of the way I want my comics to look; this sort of photographic realism, but with a certain abstraction that comics can give. It's kind of a fine line.

In an art school it's very hard to tell who is the best.